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Kama in the Land of Kamakala

Sold By:   DK Printworld
₹1,300.00

Short Descriptions

The entire Mahanadi River Valley is stated to be the land of Kamakala (art of desire), Uddiyana-Pitha (the sites where Lord Shiva resides in the Yogini cult) and erotic art. Based on a deep study of archaeological remains, this book reveals the contribution of the Valley to the origin of esoteric yogic sadhanas.

More Information

ISBN 13 9788124606803
Book Language English
Binding Hardcover
Total Pages 312
Edition 1st
Release Year 2013
Publisher D.K. Printworld Pvt. Ltd.
Author Jitamitra Prasad Singh Deo
Category Cultural Studies  
Weight 1,000.00 g
Dimension 14.00 x 22.00 x 1.80

Details

The entire Mahanadi River Valley is stated to be the land of Kamakala, Uddiyana-Pitha and erotic art. Kamakala means the art of desire; the divine Kamakala is symbolized in the shape of two circular components, the overall shape signifying the union of male and female principles. The Uddiyana-Pitha refers to sites where Lord Shiva resides in the Yogini cult that developed in this region. The volume reveals the contributions of the Mahanadi River Valley to the origin of esoteric yogic sadhanas (spiritual practice). Based on a deep study of archaeological remains which include numerous antiquities like sculptures, the book examines the origin and development of the Yoginã cult in the Mahanadi River Valley, laying stress on the Yoginis’ representation of the cosmic creative forces. It delves into the evolution of the Bhairava cult, the Ganapatya Tantra in Orissa, role of Mattamayura Shaivism there, and the origin of the Purushottama Jagannatha cult. Exploring the aspects of sensuousness in art and its link to the tantric cults, it scrutinizes the development of erotic art in Orissa, examining erotic sculptures, erotic art in wood and palm-leaf manuscripts. Abundant in references to ancient texts and modern scholarly works on the subject and with numerous illustrations, this intensive work also explains numerous terms and differences between words and concepts in an attempt to present a thorough study of the subject. It is a good reference for those who are interested in the history of Orissa and various cults of worship, and students and teachers of arts and history, and researchers on Orissan culture, which is wide and varied.
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