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Life of Buddha in Indian Sculptures (Asta-Maha-Pratiharya): An Iconological Analysis

Sold By:   DK Printworld
₹2,250.00

Short Descriptions

The book traces the beginning of narrative compositions in reliefs depicting the life of the Buddha and analyzes these sculptural depictions of events relating them to biographical texts on him. Supported by over 210 illustrations including drawings and photographs, the work reveals the process of symbolization in visual forms and participation of the sculptors in the process.

More Information

ISBN 13 9788124605523
Book Language English
Binding Hardcover
Total Pages 381
Edition 1st
Release Year 2010
Publisher D.K. Printworld Pvt. Ltd.
Author Ratan Parimoo
Category Buddhism   Arts   Ever Green Shelf Life  
Weight 1,200.00 g
Dimension 14.00 x 22.00 x 1.80

Details

The life of the Buddha has been a great source of perennial inspiration to scholars, artists and poets since the early times. Many events from the life of the Buddha have inspired some of the greatest relief compositions in Indian art, which have been depicted in sculptures and monuments. Tracing the beginning of narrative compositions in reliefs delineating the life of the Buddha, the book analyzes these sculptural depictions of events in the context of several biographical texts on him. The episodes represent the Buddha’s birth, enlightenment, first sermon and miracle at Shravasti, descent from Tuùita heaven, subduing of Nalagiri, culminating with mahaparinirvana. The book explores how some of Buddha’s basic teachings are linked with certain specific episodes of his life. It highlights the difference between representations of the same events by artists at various periods and places and the differences between the textual description and its sculptural counterpart. It also undertakes a survey of the inspiration provided by the theme of the Buddha’s life to devotees and artists in other Asian countries as revealed in their iconography and sculpture. Supported by over 210 illustrations including drawings and photographs, it reveals the process of symbolization in visual forms and participation of the sculptors in the process. It shows that the sculptural reliefs provide a fascinating insight into the creative mind of the Indian artist: how he invented visual devices and integrated them into the formal structure and the story content and imparted meanings in each sculptural relief. The volume will be essential reading for students and scholars of art history and Buddhist art in particular.
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