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Interaction Between Brahmanical and Buddhist Art

Interaction Between Brahmanical and Buddhist Art

Sold By:   DK Printworld
₹1,000.00

Short Description

The present volume is an outcome of the expert discussion on the theories of Brahmanism and Buddhism, in an International meet at Jnana-Pravaha. Philosophical and artistic interaction between the two have been brilliantly discussed with references to famous places as well as texts to unravel basic principles.

More Information

ISBN 13 9788124602645
Book Language English
Binding Hardcover
Total Pages 228
Edition 1st
Release Year 2004
Publisher D.K. Printworld Pvt. Ltd.
Author Ramesh Chandra Sharma
GAIN 177SZSVO594
Category Arts   Buddhism   Hinduism  
Weight 800.00 g
Dimension 14.00 x 22.00 x 1.80

Product Details

Brahmanism and Buddhism adopted symbol and image worship almost simultaneously in the pre and early centuries of the Christian era. With the passage of time, the forms and plethora evolved and despite several distinctive features common elements between the two religions continue and fructified. The fact is revealed both at the philosophical and artistic levels. The present volume is the outcome of the well discussed theories by the experts, assembled in an International meet on the subject in the second week of February 2003 at Jnana-Pravaha, Varanasi, organized in the joint collaboration of Acharya Narendra Dev International Research Institute for Buddhist Studies, Lucknow. The book incorporates a good number of papers dealing with philosophical and artistic interaction between Brahmanism and Buddhism for more than a millennium years. The interaction was largely peaceful but there were certain phases in the Medieval period when clash also surfaced. It was most profound in the region of art and architecture, as a result of which some similarities as well as unique features between the two had emerged. All these aspects have been brilliantly discussed and specific references to famous places associated with Brahmanical and Buddhist arts in Asia as well as textual references to unravel basic iconographical principles have been adequately reflected in the present volume. The book besides being useful to scholars and students researching on ancient Indian art and architecture would appeal to general readers interested to know more about India’s glorious art traditions.
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